Balancing the familiar with the foreign and the static with the kinetic, my work explores impermanence and the gradual act of forgetting through sequence and shadow. I present memory as a physical space existing exclusively in the present pretense of one’s subconscious. These landscapes are littered with emblems of personal experience, recontextualized to fit broader applications within the collective unconscious: in a world where existence is marked by experience, to forget is to involuntarily forgo facets of shared humanity. 

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        This intuitive process prompts my repainting of representational elements in shifting degrees of realization to exist as both complete and corroded forms. Kinetic and layered imagery suggest the merging of moments, while my use of shadows and desaturated tones reflects both mental fracture and fading. Natural and organic shapes act as symbols of connection or impermanence, recontextualized as material manifestations of memory, time, and lived experience.